The Year’s Best Science Fiction: Thirtieth Annual Collection

In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year’s Best Science Fiction: Thirtieth Annual Collection the very best SF authors explore ideas of a new world through their short stories. This venerable collection brings together award winning authors and masters of the field such as Robert Reed, Alastair Reynolds, Damien Broderick, Elizabeth Bear, Paul McAuley and John Barnes. And with an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre.
The multiple Locus Award-winning annual compilation of the year’s best science fiction stories

Nanci Arvizu, Writing and Reviews Editor

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Write, Publish, Promote. Words I am learning to live by. Want this to be your motto too? Join me and together we’ll navigate the path to publishing success.

3 Comments

  1. A Few Good Stories Here and There Okay, so there were quite a few stories that stick out as poorly written, and unoriginal. For the sake of keeping this review at a reader friendly length, I will skip the stories that I deemed as “bad,” and give you some information on the good ones. 

  2. Thought-provoking Collection of Contemporary Stories Well timed for late summer reading, comes this vibrant collection of contemporary sci-fi stories. Although I’m not a hard core sci-fi reader, I was still impressed with the wide range of writing styles and genres in this survey, I found myself reluctant to put this one down. I believe fans of fantasy fiction, like Game of Thrones or the would enjoy also these stories. The Year’s Best Science…

  3. I read these all my life. This is the worst one. First, the editor has this annoying habit of giving away key elements of the story in his introduction to the story. 

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